The
death of his strict father gave Kochukuttan unrestricted freedom and
he exploited it to its brim. One day when he came to his mother with
a bleeding hand and in tattered clothes, all hell broke loose. In
anguish, she beat him, black and blue.
Surprisingly,
the next day, the little boy did not feel even a slight pain of the
punishment he got the other day, instead he rode a wave of
imagination and wrote “Thrikkanpuramennu Perullorambalam
Balakrishnan thante vasadesham kuttichakkalayam veedinte mumbile
kuttikkadulla kalipradesham” - and thus he went on completing 150
lines.
This
was the first creative outburst of Changampuzha Krishnapillai, the
celebrated Malayalam poet of Kerala, says P I Sankaranarayanan in his
new work ‘Spandikkunna Changampuzha’, a book written solely with
the purpose of getting children acquainted with the acclaimed poet.
Through
this book, the author has undoubtedly and beautifully introduced
Changampuzha to children. The book opens with two siblings Prasad and
Amrita approaching an uncle living near their house to collect
information about the celebrated poet. Every morning, they would come
to him to learn about Changampuzha right from his childhood days to
death.
The
author has given more focus to introduce the person himself rather
than speaking about his poetry alone. It could have alienated the
little readers. Perhaps, the author might have thought that the
creative work could be best understood when an opportunity is given
to know the author himself. But, he did not forget to introduce
Changampuzha’s poems and at the right context.
Sankaranarayanan
also leaves valuable messages for children here and there, not
explicitly but beautifully interwoven with many stories about the
poet. The book evokes nostalgia and also good for grown-ups who do not know Changampuzha. It might prove useful, if an elder reads the
story to much younger children.
In
fact, this book has made me want to read ‘Nakshathrangalude
Snehabhajanam’ by M K Sanu, the biography of Changampuzha Krishna
Pillai.
While
narrating, the author also introduces other prominent poets and
authors. One such is Edappalli Raghavan Pillai.
At
the outset, there existed a friction between Edappalii and
Changampuzha. But, it gradually faded away as the years flew by.
Giving a rude shock, when Edappalli committed suicide, Changampuzha
wrote ‘Ramanan’, an elegy which was the one of the best works
written by him. Edappalli had confided in him that he had fallen in
love with a woman from a rich family. “Nissaramayoru pennumoolam
nithyanirashayaal ninte kaalam ee vidham pazhakkukennano
jeevithadharmamennathorthunokku,” Changampuzha wrote in ‘
Ramanan’.
But
that the same author too fell into the trap called ‘Love’ is
another irony, says the author. Though Sankaranarayanan has not
written much about various forms of poetry, he has mentioned about
‘Pastoral Elegy’ in the book. ‘Ramanan’ was written in this
form.
In
the backdrop of an idyllic rural life, the shepherds narrates the
story, he puts it in a rather simple way. The author has also
mentioned the name of writers like Ulloor, Vallathol, E V
Krishnawarrier and Puthezhathu Raman Menon who would definitely
prompt children with a creative bend of mind to learn more about them
in detail.
The
flow of the narration has not been interrupted except once when the
all good and prankster little Changampuzha turns into an alcohol
addict. The transformation has not been explained well.
It
might be because the author only wanted to impart those details about
the poet which could be comprehended by the children. It would
definitely be a loss, if your child has not read this book. The story
ends when the two children along with the uncle pays a visit to
Changampuzha Park to visit his graveyard.
In
the end, the author does not forget to give Changampuzha’s two
famous poems ‘ Kavyanarthaki’ and Manaswini’, the chronology of
the great poet’s life and the name of all his works.
published in The New Indian Express, 2014