Welcome to my WORLD of CLASSICS, CLASSIC MYSTERIES & SUSPENSE THRILLERS
Thursday, January 1, 2015
Monday, December 8, 2014
And then there were none - Agatha Christie
There were 10 people who were summoned to the Southern Island - eight men and two women. And that includes Mr and Mrs Rogers, the domestic help appointed by Mr and Mrs Owen, their host and hostess. Much to their dismay, even after their one day stay in the huge mansion, their host and hostess did not turn up. Apprehension brewed when Mr and Mrs Rogers said that they are yet to see those who appointed them. Things starts getting murkier when they hear a grama - phone recording which accuse each one of them to deaths which it says occurred because of them. Whether any deaths are related to them, we will find out in the end. And things gets out of control when they start encountering death every day. Will anyone remain in the end? That's for you to find out.
Hmmm, well I like every bit of it except the end. There was suspense all through but the end
Sunday, December 7, 2014
Sunday, November 30, 2014
Remember Me - Mary Higgins Clark
Author: Mary Higgins Clark
Publication date: 1994
When you are so entangled in mundane things and frivolous animosities, it is always good to read something which can take you to a different world, severing all the ties here. No doubt, Mary Higgins Clark often took me to a different world. Besides, Clark has always given me a 'Christmas feeling'. Maybe because I always start reading her when Christmas is round the corner.
So, to talk about the book ' Remember Me' – I loved it. The plot was quite simple but you get the real chill when you reach the last pages. After the death of their son, Bobby, Menley's and Adam's marriage begins to fall apart. But the knowledge that Menley was pregnant again gave them another chance to wedge the gap that distanced them. Despite, all the ruckus that caused in their lives due to the death of their son, their love for each other was something they could not ignore.
Menley was having post traumatic attacks after Bobby's death. After the birth of Hannah, their daughter, they decided to take a break from the daily routine and shift to Cape Cod for a month where Adam grew up. But Adam had to take a few trips to New York for a client, Scott Covey, husband of Vivian Carpenter who died a few days ago in Cape.
Detective Nat Coogan was on a trail and he strongly suspected that Scott Killed his wife. In Cape, Menley and Adam were living in a house which was named ' Remember House'. Menley was a writer for a Travel magazine and also a well-established children's book writer. When she realised that Remember House which was built in the 17th century had a story to tell, she decided to make it as the backdrop for her next story. It was Adams' childhood friend Elaine who gave them the ' Remember House' for rent thinking that perhaps the couple would buy it in future.
Soon, some strange things started happening in the house. There were times Menley felt her late son Bobby was calling out to her. The strange incidents were too intense that she began to doubt her sanity and start seeking explanations for the strange incidents happening right under her nose.
There were times when one tend to feel the involvement of super natural elements. Many a time I even actually got butterflies in the stomach.
Long and short, I loved it....
by Shalet Jimmy
Sunday, October 5, 2014
Spandikkunna Changambuzha - P I Sankara Narayanan - Book Review
The
death of his strict father gave Kochukuttan unrestricted freedom and
he exploited it to its brim. One day when he came to his mother with
a bleeding hand and in tattered clothes, all hell broke loose. In
anguish, she beat him, black and blue.
Surprisingly,
the next day, the little boy did not feel even a slight pain of the
punishment he got the other day, instead he rode a wave of
imagination and wrote “Thrikkanpuramennu Perullorambalam
Balakrishnan thante vasadesham kuttichakkalayam veedinte mumbile
kuttikkadulla kalipradesham” - and thus he went on completing 150
lines.
This
was the first creative outburst of Changampuzha Krishnapillai, the
celebrated Malayalam poet of Kerala, says P I Sankaranarayanan in his
new work ‘Spandikkunna Changampuzha’, a book written solely with
the purpose of getting children acquainted with the acclaimed poet.
Through
this book, the author has undoubtedly and beautifully introduced
Changampuzha to children. The book opens with two siblings Prasad and
Amrita approaching an uncle living near their house to collect
information about the celebrated poet. Every morning, they would come
to him to learn about Changampuzha right from his childhood days to
death.
The
author has given more focus to introduce the person himself rather
than speaking about his poetry alone. It could have alienated the
little readers. Perhaps, the author might have thought that the
creative work could be best understood when an opportunity is given
to know the author himself. But, he did not forget to introduce
Changampuzha’s poems and at the right context.
Sankaranarayanan
also leaves valuable messages for children here and there, not
explicitly but beautifully interwoven with many stories about the
poet. The book evokes nostalgia and also good for grown-ups who do not know Changampuzha. It might prove useful, if an elder reads the
story to much younger children.
In
fact, this book has made me want to read ‘Nakshathrangalude
Snehabhajanam’ by M K Sanu, the biography of Changampuzha Krishna
Pillai.
While
narrating, the author also introduces other prominent poets and
authors. One such is Edappalli Raghavan Pillai.
At
the outset, there existed a friction between Edappalii and
Changampuzha. But, it gradually faded away as the years flew by.
Giving a rude shock, when Edappalli committed suicide, Changampuzha
wrote ‘Ramanan’, an elegy which was the one of the best works
written by him. Edappalli had confided in him that he had fallen in
love with a woman from a rich family. “Nissaramayoru pennumoolam
nithyanirashayaal ninte kaalam ee vidham pazhakkukennano
jeevithadharmamennathorthunokku,” Changampuzha wrote in ‘
Ramanan’.
But
that the same author too fell into the trap called ‘Love’ is
another irony, says the author. Though Sankaranarayanan has not
written much about various forms of poetry, he has mentioned about
‘Pastoral Elegy’ in the book. ‘Ramanan’ was written in this
form.
In
the backdrop of an idyllic rural life, the shepherds narrates the
story, he puts it in a rather simple way. The author has also
mentioned the name of writers like Ulloor, Vallathol, E V
Krishnawarrier and Puthezhathu Raman Menon who would definitely
prompt children with a creative bend of mind to learn more about them
in detail.
The
flow of the narration has not been interrupted except once when the
all good and prankster little Changampuzha turns into an alcohol
addict. The transformation has not been explained well.
It
might be because the author only wanted to impart those details about
the poet which could be comprehended by the children. It would
definitely be a loss, if your child has not read this book. The story
ends when the two children along with the uncle pays a visit to
Changampuzha Park to visit his graveyard.
In
the end, the author does not forget to give Changampuzha’s two
famous poems ‘ Kavyanarthaki’ and Manaswini’, the chronology of
the great poet’s life and the name of all his works.
published in The New Indian Express, 2014
Monday, September 8, 2014
Homeport - Nora Roberts
My first Nora Roberts' book and I started off with much anticipations.
However, it failed me absolutely. It may sound incredible that I
literally took 2 years to complete this book. I would go through some
of the pages, finding that it was not going to reach anywhere, I
would close it down. This exercise went on for two years. Though with
a fragile story line , the characters Ryan Boldari, the art thief
and Dr Miranda Jones lingered in my mind. It always coaxed me to
complete it. Eventually, I did it around two weeks ago.
To
talk about the storyline, the plot is nothing unique - Robbery,
associated murders and then the culprits. An art robbery takes place
right under the nose of Miranda. The story moves ahead when an art
thief Ryan Boldari join hands with Dr Jones to retrieve the stolen
pieces and finally solving the murders.
From
many reviews I read on this book, there are many who still could not
believe that a Nora Roberts' book could fail them completely. One
reader kept on looking at the cover page to convince her that she was
in fact reading a Nora Robert.
Though
not an easy time reading it, I still could not believe that I am not
reluctant to go for yet another Nora Roberts book.
Saturday, August 23, 2014
Little Women - Louisa M Alcott
I
think I should have read this book some 15 years ago. Then it would
have been different. There are times when I badly wanted to go to the
other chapter and there are times when I felt like not reading
anymore. Maybe the element of prudence is too much for me. But as I
said, it could have made a major difference when I was 13 or 17 years
old. I think I resembled Jo a lot. Overall I liked it. It begins with
a happy note and ends again with a happy note. I really like the
scene when Jo cuts her hair to help her father. She knew that she
would not get the same mane again. But she did not show any distress
about it. But in the middle of the night, she lets out a moan
thinking that everyone were fast asleep. When Meg heard it, she
consoles her. This scene was a quite a touchy.
Before
this year ends, I would like to read 5 classics and thus I completed
1.
These
are some of my favourite quotes
She
preferred imaginary heroes to real ones, because when tired of them,
the former could be shut up in the tin kitchen till called for, and
the latter were less manageable.”
“I
don't like favors; they oppress and make me fell like a slave. I'd
rather do everything for myself, and be perfectly independent.”
“You
have a good many little gifts and virtues, but there is no need of
parading them, for conceit spoils the finest genius. There is not
much danger that real talent or goodness will be overlooked long;
even if it is, the consciousness of possessing and using it well
should satisfy one, and the great charm of all power is modesty.”
My
Jo, you may say anything to your mother, for it is my greatest
happiness and pride to feel that my girls confide in me and know how
much I love them.”
Sunday, August 10, 2014
Detour to Canada - Sunil Nair
‘Detour
to Canada’, a debut work of Canada-based Keralite, Sunil Nair has a
simple storyline. An Indian student Vinu who has no focus in life
dreams of going to the United States of America. But future has
something else in store for him. He reaches Canada and he aspires to
go to the US from there. During his stay in Canada, his life and
perception changes. The elements that bring the change forms the crux
of the story. The book is too simple that the question, ‘does the
reader need such a simple tale at a time when technology rules the
roost’, pops up. It should have been told more than 20 years ago.
Even
the fact that this is the author’s debut book could not salvage him
from some of the grave mistakes he had committed here. Firstly, home
work, a prerequisite for any kind of endeavour is absent. Sadly, it
is too conspicuous that it can halt a reader from moving ahead with
the story.
There
are many such instances in the book that can prove it beyond doubt.
When Ramdas’s (Vinu’s father) cousin Raj calls from the USA, the
former inquires about the hurricane ‘Sandy’ that has hit America.
Ramdas who is unaware of the incident, would have known it from his
son who constantly googles about that country. To Ramdas’s query,
Raj expresses surprise and replies as follows - ‘You guys already
got the news about hurricane? India sure is catching up on
international news.’ This is a bit far-fetched. People of India
were never that ignorant. The author should have taken pains to know
the pulse of changing India.
The other instance is Vinu dialling 911
instead of 011, the telephone code of India from Canada. Is a
computer science graduate from Kochi, that ignorant? Can’t he just
simply know that 911 is an emergency number? There is another
instance where Vinu expresses wonder over the importance given to
Mahatma Gandhi in a foreign land. The author entirely forgot the fact
that even the President of the United States has a photo of Mahatma
Gandhi in his office cabin. When Barack Obama won the Nobel Peace
Prize, the whole world interpreted it as a victory of the ideals of
Gandhi.
Next
comes the language. The book lacks creative flow. Though you read
English, you will feel like you are reading Malayalam. A few examples
to show that: ‘You are on his side. Just tie him to your sari and
keep him with you forever.’; ‘Please don’t start now.’ ;
‘They will kill me then and there.’; ‘There will be fireworks
in the house now.’ (here the author is referring to the verbal duel
that is about to begin); ‘He is not a typical type....’, the list
is endless.
Some
portion of the story is like what to do to study in the USA. It seems
that the book never went to the editing table. The work of the author
could fare better if it paid attention to these details.
Interestingly,
even with these flaws, there a was moment in the book that could
bring tears in the eyes of the reader.
Even
if it’s for a second, the author could bring that emotional
element. Mistakes are of course the stepping stone to learning. A big
appreciation for the author who took the courage to put it out what
he has.
Wednesday, August 6, 2014
Saturday, August 2, 2014
The Lowland – Jhumpa Lahiri
There
are many books which I do not review purely for the reason that I
love to cherish them. That's why I did not review
Jhumpa Lahiri's 'Unaccustomed earth' and 'Interpreter of maladies' .
But I decided to talk about her book ' The Lowland ' just because I
came across many negative reviews.
Some
have even pledged that they would not read her books unless she tries
to break out that ' NRI cocoon'. There is no dispute over the subject
that too much of the same element can make a reader form his/her own
preconceived notions on that particular author. But I really do not think, in this story she had used the ' NRI element' just to create a story. Calling her story trivial on this grounds would be an absolute injustice.
Some
commented that the Naxalism described in the book is not suffice.
Here I would like to point out that this book does not primarily
delve into Naxalism. The characters of the story start their lives' journey from 1960's. Naxalism was at it zenith during that period in
West Bengal. Perhaps the only place in India which saw the
repercussions of Naxalism at its worst.
The
fate of Gouri altered when she left Calcutta for America. The
Naxalism rampant in the state pulled the trigger for it. Lahiri spoke
about the movement, Kanu Sanyal and Charu Majumdar but not superfluously
. The details are enough to get a reader acquainted with
Naxalism. More of it would have puzzled them.
Besides, the story does not demand Naxalism in detail. It is described to form a back ground and not to talk about the pros and
cons of the movement.
I have even read in a review that it is an NRI love
story – an emphatic ' No' to that. It would be like closing the doors of opportunities to explore a beautiful fiction. The story revolves around a
few characters – Udayan, Subhash, Gouri, Bela. But they are round
characters and not flat with loads of emotions to convey. They haunt you for many
days. The story starts. But does it end? It is for you to discover.
I
did not feel like reading a fiction with a set format. It was a
journey along with evolving emotions which was a ride in its own way.
Sunday, July 20, 2014
Jhumpa Lahiri - My inspiration
Nilanjana Sudeshna Lahiri ( Jhumpa Lahiri )
Years ago, this one photograph introduced me to the world of Pulitzer and writing. Time flew by, but this single picture lingered in my memory. I never ever thought in the wildest of my dreams that I could write. But I used to read then voraciously. The above appeared on the cover of Competition Success Review. But I took years to read her books. And now I am a huge fan of hers. I have read all of her works except the ' Lowland' which I will finish soon.
Friday, July 18, 2014
Tuesday, July 15, 2014
Agni - C Radhakrishnan
One could well say at the outset that the all-pervading emotion of ‘Agni’ is violence. But as you proceed further, it is not violence alone that rules, but a strange interplay between love and violence. And this bizarre proportion could disturb the reader to the core.
‘Agni’ was originally written in Malayalam in 1963. But the political setting narrated could well fit into the current scenario also, thereby closing the gap of 51 years. Besides, it has been chronicled so vividly that it would not be a stupendous task for any reader, alien to Kerala, to feel the pulse of the state and the district where the story unfolds.
To begin with, the story is set in a village, Chamravattom in Malappuram district, which is also the author’s native place. When the story opens, Moosa, the village butcher has slaughtered his boy assistant and walked away. The severed head still lies there. While narrating the geography, politics and other associated elements which are required to set a backdrop, the author clearly explains that the place is not known for human sacrifices. Hence, when this murder occurs, one would wonder whether it is a case of human sacrifice. But it is not.
Moosa’s 17-year-old daughter Amina, who is lame, had been missing since the night before this fateful incident. Perhaps this might have irked Moosa and, unfortunately, his wrath might have fallen on the poor boy. People are frightened for they know that his fury is yet to subside. His daughter had eloped with her lover Sulaiman. The story has a few characters - Moosa, Amina, assistant boy, Mulla and Amina’s lover Sulaiman. The story revolves around them. But it is Moosa who takes the story forward.
If the reader tries to fathom the real emotion guiding Moosa, the protagonist, it is not going to be an easy task to reach any conclusion. For the book offers a lot of room to explore the undulating emotions which lie hidden in him. You could well take in the anger from an enemy but not from somebody whom you cannot segregate either as a friend or an enemy. Such is the case with Moosa. He would appear beastly. But the emotion he showers on his disabled daughter even after he discovers that she is pregnant out of wedlock would force the reader to think otherwise. But it would not take you too long to reverse the opinion.
Moosa is not totally devoid of love. But, strangely, he had taken a drastic step. The poor boy was forced to suffer a humiliating end for no reason of his own. The reader would be horrified to know that love has manifested itself in a strange and cruel way. For an English reader, who is not well-versed with the works of Radhakrishnan, this is a good introduction.
‘Agni’ was filmed in 1973. As part of the Indian Panorama of Feature Films, ‘Agni’ has been screened at major international film festivals including Mannheim, Istanbul, Moscow and Locarno.
C Radhakrishnan, the acclaimed man of letters, entered the literary scene when he won the novel contest conducted by the Mathrubhumi weekly at the age of 19. His novel ‘ Nizhalppadukal’ topped the 127 entries. Such a contest in novels was perhaps the first of its kind in the state. On many platforms, the author has said that if there were no such contests, there would not have been a writer called C Radhakrishnan.
Being a writer and film director in Malayalam, he has won accolades from various quarters. He was honoured by the Sahitya Akademi in 1989, for ‘Spandamapinikale Nandi’ and the Kerala Sahithya Akademi in 1962, for ‘Nizhalpadukal’. He won the Vayalar Award in 1990 for ‘Munpe Parakkunna Pakshikal’, and the Mahakavi G Award in 1993 for ‘Verpadukalude Viralppatukal’. His works have been translated into various Indian and foreign languages. He was also chosen for the Padmaprabha Puraskaram in 2007.
‘Agni’ was originally written in Malayalam in 1963. But the political setting narrated could well fit into the current scenario also, thereby closing the gap of 51 years. Besides, it has been chronicled so vividly that it would not be a stupendous task for any reader, alien to Kerala, to feel the pulse of the state and the district where the story unfolds.
To begin with, the story is set in a village, Chamravattom in Malappuram district, which is also the author’s native place. When the story opens, Moosa, the village butcher has slaughtered his boy assistant and walked away. The severed head still lies there. While narrating the geography, politics and other associated elements which are required to set a backdrop, the author clearly explains that the place is not known for human sacrifices. Hence, when this murder occurs, one would wonder whether it is a case of human sacrifice. But it is not.
Moosa’s 17-year-old daughter Amina, who is lame, had been missing since the night before this fateful incident. Perhaps this might have irked Moosa and, unfortunately, his wrath might have fallen on the poor boy. People are frightened for they know that his fury is yet to subside. His daughter had eloped with her lover Sulaiman. The story has a few characters - Moosa, Amina, assistant boy, Mulla and Amina’s lover Sulaiman. The story revolves around them. But it is Moosa who takes the story forward.
If the reader tries to fathom the real emotion guiding Moosa, the protagonist, it is not going to be an easy task to reach any conclusion. For the book offers a lot of room to explore the undulating emotions which lie hidden in him. You could well take in the anger from an enemy but not from somebody whom you cannot segregate either as a friend or an enemy. Such is the case with Moosa. He would appear beastly. But the emotion he showers on his disabled daughter even after he discovers that she is pregnant out of wedlock would force the reader to think otherwise. But it would not take you too long to reverse the opinion.
Moosa is not totally devoid of love. But, strangely, he had taken a drastic step. The poor boy was forced to suffer a humiliating end for no reason of his own. The reader would be horrified to know that love has manifested itself in a strange and cruel way. For an English reader, who is not well-versed with the works of Radhakrishnan, this is a good introduction.
‘Agni’ was filmed in 1973. As part of the Indian Panorama of Feature Films, ‘Agni’ has been screened at major international film festivals including Mannheim, Istanbul, Moscow and Locarno.
C Radhakrishnan, the acclaimed man of letters, entered the literary scene when he won the novel contest conducted by the Mathrubhumi weekly at the age of 19. His novel ‘ Nizhalppadukal’ topped the 127 entries. Such a contest in novels was perhaps the first of its kind in the state. On many platforms, the author has said that if there were no such contests, there would not have been a writer called C Radhakrishnan.
Being a writer and film director in Malayalam, he has won accolades from various quarters. He was honoured by the Sahitya Akademi in 1989, for ‘Spandamapinikale Nandi’ and the Kerala Sahithya Akademi in 1962, for ‘Nizhalpadukal’. He won the Vayalar Award in 1990 for ‘Munpe Parakkunna Pakshikal’, and the Mahakavi G Award in 1993 for ‘Verpadukalude Viralppatukal’. His works have been translated into various Indian and foreign languages. He was also chosen for the Padmaprabha Puraskaram in 2007.
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